As he reveals proudly, it’s also released entirely independently-Fox’s way of rejecting big companies that prey on musicians, in what he calls his Luke-Skywalker-Death-Star moment. It features cartoon references that opt for rarely-mentioned side characters rather than the regurgitated big names, and moments where Fox goes lights-out like his seasoned vet friends. The record is stacked with production from Kenny Beats, the Alchemist, BNYX, and more. Rap hasn’t taken the place of comedy for Fox at this point, but one spin of his debut album might make you think otherwise. So for those moments it’s like, yeah, I’m a rapper.” “ jokes, tweets, and little projects here, and they’re amazing, but this is one of the first bodies of work that I’m giving people.
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“Moving into my 30s now, I’m thinking about bodies of work, and how to communicate the last 10 years of my life in other ways that aren’t so transient,” he shares over Zoom, days before the release of his debut. But his momentary maybe-fake-maybe-not-fake self-realization was a reminder that he’s still getting used to rhyming about throwing chairs and having sex with a former first lady on stage, as his growing music catalog saw a milestone addition with his October 15 debut album, shut the fuck up talking to me. Why do people want to do this?”Įither legitimately out of breath for a minute or pretending to pant a little for the gag, Fox moved on from that comment and jumped right into another bit within seconds. Zack Fox is in the middle of his rap set at New York’s Central Park-specifically, somewhere between sharing a Barack Obama drone-referencing “based freestyle” and twirling on stage to NY legend Jennifer Lopez’s 1999 club classic “Waiting For Tonight”-when he makes a declaration. The History of Hip Hop Music Visualized on a Turntable Circuit Diagram: Features 700 Artists, from DJ Kool Herc to Kanye Westįounding Fathers, A Documentary Narrated By Public Enemy’s Chuck D, Presents the True History of Hip Hopġ50 Songs from 100+ Rappers Get Artfully Woven into One Great Mashup: Watch the “40 Years of Hip Hop”Īyun Halliday is an author, illustrator, theater maker and Chief Primatologist of the East Village Inky zine. Listen to a Spotify playlist of the songs referenced in the video.ĭelve further into the subject by reading the thoughts of rap analyst Martin Connor, whom Caswell credits as a sort of beacon. MF DOOM kicks the ball further down the court with double entendres, wordplay and a willingness to steer clear of the expected “b word.” Meanwhile, Andre 3000 is playing with varying the accent of his rhymes, relative to the beat and bar, rather than committing to a predictable thudding.Įminem, who has the distinction of penning the first rap to win an Academy Award, places a premium on narrative, and refuses to concede that nothing rhymes with orange.Ĭurrent chart topper Kendrick Lamar’s galloping “ Rigamortis” establishes a musical motif that Caswell compares to Beethoven’s famous fifth.
Shortly thereafter, Mos Def ups both the rhyming game and the feminist accountability, by stuffing his compositions with multi-syllabic words and phrases that sort of rhyme-cinnamon, Entenmann’s, adrenaline and “sent to them.” You’ll also find them escaping the tyranny of the bar line, continuing the rhyme on the first beat of the next bar.Ĭaswell is so intent on examining the late Notorious B.I.G.’s “Hypnotize,” that she overlooks a rather sizable elephant in the room, the misogynistic POV behind those en and oo sounds. Is President,” featuring internal rhymes highlighted in yellow and multi-syllabic rhymes picked out in pink.
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